Inkface: Othello and White Authority in the Era of Atlantic Slavery
Inkface: Othello and White Authority in the Era of Atlantic Slavery
Traces productions of Shakespeare’s Othello from seventeenth-century London to the Metropolitan Opera in twenty-first-century New York. Miles Grier shows how the painted stage Moor and the wife whom he theatrically stains became necessary types, reduced to objects of interpretation for a presumed white male audience.
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Traces productions of Shakespeare’s Othello from seventeenth-century London to the Metropolitan Opera in twenty-first-century New York. Miles Grier shows how the painted stage Moor and the wife whom he theatrically stains became necessary types, reduced to objects of interpretation for a presumed white male audience.
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