Crime and Punishment

De (autor): Fyodor Dostoevsky

Crime and Punishment - Fyodor Dostoevsky

Crime and Punishment

De (autor): Fyodor Dostoevsky

Chiltern Publishing was formed in 2018 with a vision to create the most beautiful classics. Using a perfect mix of tradition and the very latest in printing techniques, 19th Century quality has met 21st Century technology. With wonderfully detailed covers, sparkling gilt edges, creamy pages, and stitched binding they are the most beautiful classics ever published.

Crime and Punishment follows the mental anguish and moral dilemmas of Rodion Raskolnikov, an impoverished ex-student in Saint Petersburg who plans to kill an unscrupulous pawnbroker, an old woman who stores money and valuable objects in her flat. He theorizes that with the money he could liberate himself from poverty and go on to perform great deeds and seeks to convince himself that certain crimes are justifiable if they are committed in order to remove obstacles to the higher goals of 'extraordinary' men. Once the deed is done, however, he finds himself wracked with confusion, paranoia, and disgust. His theoretical justifications lose all their power as he struggles with guilt and horror and is confronted with both internal and external consequences of his deed.

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Chiltern Publishing was formed in 2018 with a vision to create the most beautiful classics. Using a perfect mix of tradition and the very latest in printing techniques, 19th Century quality has met 21st Century technology. With wonderfully detailed covers, sparkling gilt edges, creamy pages, and stitched binding they are the most beautiful classics ever published.

Crime and Punishment follows the mental anguish and moral dilemmas of Rodion Raskolnikov, an impoverished ex-student in Saint Petersburg who plans to kill an unscrupulous pawnbroker, an old woman who stores money and valuable objects in her flat. He theorizes that with the money he could liberate himself from poverty and go on to perform great deeds and seeks to convince himself that certain crimes are justifiable if they are committed in order to remove obstacles to the higher goals of 'extraordinary' men. Once the deed is done, however, he finds himself wracked with confusion, paranoia, and disgust. His theoretical justifications lose all their power as he struggles with guilt and horror and is confronted with both internal and external consequences of his deed.

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