The narrator of THE WOMAN IN GREEN repeatedly insults his readers of 2050 and wishes he were instead addressing readers of 2025, when somewhat fewer were boneheads. Born under a curse at the exact moment of the 9/11 attacks, he looks back on two remarkable utopian experiments-one religious, the other secular-in early 19th-century New Harmony, Indiana. He then looks ahead to his grandfather Sam Coverdale's visionary effort in the millennial year 2000 to create a new "Boatload of Knowledge" on the banks of the Wabash. His cast of characters bears an unsettling resemblance to Mary Shelley's circle of Frankenstein intimates.

What could go wrong? From a macabre scroll found under a labyrinth to a dramatic fiasco on the world stage to a heady balloon ride to freedom, these characters plus one prescient turtle hang on together as friends and lovers, narrowly averting suicide within the ranks. Along the way, a Byronic character merrily cites strong evidence, hitherto overlooked, that Shakespeare himself was a suicide. Against the odds, they emerge with lasting romantic bonds and a vision that the enigmatic Woman in Green will someday prosper on Planet Earth.