Dia Mittal is an airline call center agent in Mumbai searching for an easier life. As her search takes her to the United States, Dia's check-ered relationship with the American Dream dialogues with the expe-riences and perspectives of a global South Asian community across the class spectrum--call center agents, travel agents, immigrant maids, fashion designers, blue- and white-collar workers in the hospitality industry, junior and senior artists in Bollywood, hustling single mothers, academics, tourists in the Third World, refugees displaced by military superpowers, Marwari merchants and trade caravans of the Silk Road, among others. What connects the novel's web of brown border-crossing characters is their quest for belonging and negotiation of power struggles, mediated by race, class, gender, nationality, age, or place. With its fragmented form, staccato rhythm, repetition, and play with English language, Border Less questions the "mainstream" Western novel and its assumptions of good storytelling.

Border Less was a finalist for The Feminist Press's Louise Meriwether First Book Prize. Chapters from the novel won the Short Story Contest organized by 14th International Conference on the Short Story in English, judged by Bharati Mukherjee and Clark Blaise; the New Asian Writing Prize; and appeared in The Best Asian Short Stories anthology. The opening chapter, in a slightly different form, was published in The Kenyon Review.