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Utopian Vistas: The Mabel Dodge Luhan House and the American Counterculture

De (autor): Lois Palken Rudnick

Utopian Vistas: The Mabel Dodge Luhan House and the American Counterculture - Lois Palken Rudnick

Utopian Vistas: The Mabel Dodge Luhan House and the American Counterculture

De (autor): Lois Palken Rudnick

Mabel Dodge Luhan, hostess and visionary, made Taos, New Mexico, a center for artists and utopians when she moved there in 1917 and began inviting friends to visit her. Now in paperback UTOPIAN VISTAS is a chronicle of the house and the many individuals whose lives and works were affected by the house and its environs. 162 photos.

Mabel Dodge Luhan, hostess and visionary, made Taos, New Mexico, a center for artists and utopians when she moved there in 1917 and began inviting friends to visit her. Now available in paperback, Utopian Vistas is a chronicle of the house Luhan built in Taos and the poets, painters, photographers, film-makers, writers, educators, and visionaries whose lives and works were affected by the house and its environs. Lois Rudnick weaves a complex tapestry depicting American countercultures in New Mexico from the 1920s to the 1990s.


"Should be required reading for art historians, film historians, ex-Beats and hippies, their children and grandchildren, and anyone interested in the possibility of making an imperfect America perfect at last."--Karal Ann Marling

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Mabel Dodge Luhan, hostess and visionary, made Taos, New Mexico, a center for artists and utopians when she moved there in 1917 and began inviting friends to visit her. Now in paperback UTOPIAN VISTAS is a chronicle of the house and the many individuals whose lives and works were affected by the house and its environs. 162 photos.

Mabel Dodge Luhan, hostess and visionary, made Taos, New Mexico, a center for artists and utopians when she moved there in 1917 and began inviting friends to visit her. Now available in paperback, Utopian Vistas is a chronicle of the house Luhan built in Taos and the poets, painters, photographers, film-makers, writers, educators, and visionaries whose lives and works were affected by the house and its environs. Lois Rudnick weaves a complex tapestry depicting American countercultures in New Mexico from the 1920s to the 1990s.


"Should be required reading for art historians, film historians, ex-Beats and hippies, their children and grandchildren, and anyone interested in the possibility of making an imperfect America perfect at last."--Karal Ann Marling

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